Earth Terminal

Kalaymyo, January 19, 2019

In a valley between two advancing massifs, they built a road they built a town: Kalaymyo at the crossroads of the cardinal lines, straight as a compass needle – to the north are the border of India, and inaccessible Himalayas.

Seated facing the boulevard that rumbles at the New Solar Myanmar, I drink lagers from the kegs. A mature man in a longyi, weathered face, unfolds a betel-nut smile: teeth reddened and rotted by the quid. For lack of words I toss him the names of cities, origins and destinations: Gangaw, Mandalay...

– Mandalay!

From inside his jacket he takes out a plastic bag, and from the bag a fat wad of bills – plump sum he has no fear of displaying, it seems, on the terrace of the New Solar Myanmar. He wants to show me the image on the ten-thousand-kyat note, the moats and the fortress of Mandalay. And he repeats:

– Mandalay! Mandalay!

A cry between his bleeding teeth.

No woman in the bar except the waitresses. Assembly of similar men who stupefy themselves one swallow at a time.

A guy comes to greet me and invites me to his table. With him and his friend I drain the kegs, I rinse my gullet with blond water. His name is David. He is Christian, he says, and tomorrow will go to mass.

– And you, you are Christian also, right?

– I don’t really have a religion.

– Really? It’s the first time I hear that... don’t have a religion.

In the smoke of the cheroots arrive the trans women. Band of resisters put under the ban of the town: punks of the law of gender. Some wear their hair long and the becoming dress, cultivate their woman nature. Others have short hair, scarves wound around the body, a warrior air. And it chatters, and it laughs. Gusts of cheap perfume travel all the way to my table.

– I pity them, says David with a pout of disgust, as if he were spitting his betel-tinted saliva.

– Some men here like them, right? I ask.

– Nobody wants them.

There is one, very feminine, who can’t stop looking at me. She strikes poses, twists her locks. I smile at her.

– You’re very handsome. You have a sweet smile.

– Thank you.

I feel closer to the trans women, in the end, than to these jaws that all chew the same nut. I might have let myself be bewitched, at the New Solar Myanmar in Kalaymyo, by a hair, a neckline, a soft word – were it not for that cheap perfume that crushes my temples.

The Project

Earth Terminal is a long-haul work by Mahigan Lepage. A planetary narrative written from inside a catastrophized era.

Level with the asphalts and the concretes, at the skin of the beaten earth, there is the living that clings to the earth’s crust; active dramas playing out in the instant. Multiplied by a hundred, by a thousand, these micro-narratives would form something like a world – a shifting mass where one could travel.

One advances through Earth Terminal by following the veins of concrete matter: skin, steel, rubber, diesel, hair... For there is no edge, no beyond. There is only the hard crust of experience that runs through places and bodies, times.

Notes on the project

Inventory in progress